Installation view of John Knight's Identity Value and Matt Morris' Copycat Killer, 2017, Julius Caesar, Chicago, IL. Image courtesy of Matt Morris.

Selected recent and forthcoming publications:

KING, D.: Homeland Smells. Matt Morris’s olfactory art works. In:  Burchert, Linn: Atem. Gestalterische, ökologische und soziopolitische Dimensionen, 1900–Gegenwart, ​forthcoming 2020. ​

KING, D.: Can we breathe?, In: Parr, Debra; Lynn, Gwen, Olfactory Art and The Political in an Age of Resistance, forthcoming 2020, Routledge.

KING, D. (2019): Lernen von Kunst und Design im Labor: Eine Datensammlung früherer Kunst- und Designausbildungen, ART EDUCATION RESEARCH, e Journal SFKP No 16, November 23, 2019. 

KING, D. (2019), ‘Whose Skin? Curating Tattooed Tableaux Vivants in Contemporary Art’, Journal of Curatorial Studies, 8:1, pp. 6–21, doi: 10.1386/jcs.8.1.6_1 (peer review)
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King, D. (2018): Digital Graffiti, in Int|AR Journal 09 ‘Design Intervention as ACT,p.82-89.

For all academic publications see my CV